Like its predecessors, Capriccio runs on Kontakt 5.1 and above and also works with the free Kontakt Player. As explained in our November 2014 review, it’s possible to adapt Grosso’s 12/8 phrases to 4/4, but for writers who don’t tend to use triplets and other three-based rhythmic groupings, Capriccio is a better starting point. Where Grosso’s phrases were configured in 12/8 time, Capriccio’s material is in good old 4/4 with straight eighth and 16th notes throughout, ensuring an easy ride for those composers who instinctively ‘think in four’. For more details, please read the reviews of the previous Sonokinetic libraries on the SOS web site.
SONOKINETIC CAPRICCIO SOFTWARE
All three contain tempo-sync’ed section phrases devised by composer Piotr Musial, performed by contemporary symphonic team Capellen Orchestra and recorded from the same four mic positions in a modern concert hall in Zlin, Czech Republic.īoasting large sections of 52 strings, 14 brass players, 12 woodwinds and eight percussionists (the latter performing on taiko drums, orchestral percussion, xylophone, tubular bells, glockenspiel and piano), Capriccio works in the same way as Minimal and Grosso: basically, you play a major or minor triad and the software obligingly outputs tempo-sync’ed phrases in the correct key. Dutch sound company Sonokinetic obviously share this view as their latest orchestral phrase library Capriccio replicates the format of its predecessors Minimal (2013) and Grosso (2014). I mention this not only because I am a Chelsea fan, but to underline the fact that it’s not a good idea to mess with a winning formula. All sections now contain high, mid and low phrases. Phrases are triggered by playing a triad in the ‘chord recognition area’ represented by the blue keys. Regular Sonokinetic users will recognise Capriccio’s GUI design of broad colour-coded stripes. By contrast, José Mourinho stuck to the same formation in every game and saw his team Chelsea crowned champions. Results didn’t go well for either manager: after a dreadful run of form, Leicester barely recovered to finish 14th in the league table, while Hull City were relegated. A recent article by Conrad Leach in The Guardian revealed that Leicester’s Nigel Pearson and Hull City boss Steve Bruce each adopted no less than eight different player formations during the 2014-2015 season. Sonokinetic’s vigorous orchestral phrase library piles on the cinematic drama in 4/4 time.Īs football fans know, some managers can’t resist tinkering with their team.
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